1 2 3 PLUIE
1 2 3 PLUIE
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im-jean-valjean:


inlovewithwhitemen:

iragersaurus:

silentrhetoric:

naturalbods:

Truth.

Wow.. I didn’t know that

File under : things I wasn’t taught in school

Reblog the hell out of this everyone.


It’s like you guys want to be outraged and offended.


Specialy when France has one Statue of Liberty(so the real) n  Paris and it’s the exact little sister of the Statue of the Liberty
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redbrunja:

#Steve rogers does this thing where he smiles when he’s sad #and it is not okay #marvel #captain america #steve rogers
redbrunja:

#Steve rogers does this thing where he smiles when he’s sad #and it is not okay #marvel #captain america #steve rogers
redbrunja:

#Steve rogers does this thing where he smiles when he’s sad #and it is not okay #marvel #captain america #steve rogers
redbrunja:

#Steve rogers does this thing where he smiles when he’s sad #and it is not okay #marvel #captain america #steve rogers
redbrunja:

#Steve rogers does this thing where he smiles when he’s sad #and it is not okay #marvel #captain america #steve rogers
redbrunja:

#Steve rogers does this thing where he smiles when he’s sad #and it is not okay #marvel #captain america #steve rogers
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doctor-who-fanatics:

Doctor Who Merchandise: http://bit.ly/1c3BAfq
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sknee83:

LOL
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phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
phiftycent:

policymic:

16-year-old dresses as every culture and counterculture of the last 100 years

Flapper. Beatnick. Hippie. Hipster. 
In her project “Counter // Culture,” 16-year-old photographer Annalisa Hartlaub captures all the mainstream and countercultural movements that have defined the last 10 decades. The results are a stirring series of portraits that bring life to a century of women, contextualizing how the friction of mainstream and counterculture defined progression. 
Read more | Follow policymic


this is dope
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reikaoki:

imthezombiequeen:

alishalovescats1701:

crimsonclad:

five-boys-with-accents:

Eeyore is just one of those characters that you wanna scoop up and hug forever.

One awesome thing about Eeyore is that even though he is basically clinically depressed, he still gets invited to participate in adventures and shenanigans with all of his friends. And they never expect him to pretend to feel happy, they just love him anyway, and they never leave him behind or ask him to change.

Oh

oh

And he does feel happy, though. He can be happy. He just doesn’t show it as much as the others do.There was a whole episode about that - Piglet sees him sitting on a hilltop and thinks he’s sadder than usual, and does all he can to cheer him up. Nothing works and the next day he’s back on the hill, and Piglet apologizes because he thinks in trying to help, he just made him sad again and ”I don’t come here when I’m sad. I come up here because I’m happy.”
There’s just something about that…
reikaoki:

imthezombiequeen:

alishalovescats1701:

crimsonclad:

five-boys-with-accents:

Eeyore is just one of those characters that you wanna scoop up and hug forever.

One awesome thing about Eeyore is that even though he is basically clinically depressed, he still gets invited to participate in adventures and shenanigans with all of his friends. And they never expect him to pretend to feel happy, they just love him anyway, and they never leave him behind or ask him to change.

Oh

oh

And he does feel happy, though. He can be happy. He just doesn’t show it as much as the others do.There was a whole episode about that - Piglet sees him sitting on a hilltop and thinks he’s sadder than usual, and does all he can to cheer him up. Nothing works and the next day he’s back on the hill, and Piglet apologizes because he thinks in trying to help, he just made him sad again and ”I don’t come here when I’m sad. I come up here because I’m happy.”
There’s just something about that…
reikaoki:

imthezombiequeen:

alishalovescats1701:

crimsonclad:

five-boys-with-accents:

Eeyore is just one of those characters that you wanna scoop up and hug forever.

One awesome thing about Eeyore is that even though he is basically clinically depressed, he still gets invited to participate in adventures and shenanigans with all of his friends. And they never expect him to pretend to feel happy, they just love him anyway, and they never leave him behind or ask him to change.

Oh

oh

And he does feel happy, though. He can be happy. He just doesn’t show it as much as the others do.There was a whole episode about that - Piglet sees him sitting on a hilltop and thinks he’s sadder than usual, and does all he can to cheer him up. Nothing works and the next day he’s back on the hill, and Piglet apologizes because he thinks in trying to help, he just made him sad again and ”I don’t come here when I’m sad. I come up here because I’m happy.”
There’s just something about that…
reikaoki:

imthezombiequeen:

alishalovescats1701:

crimsonclad:

five-boys-with-accents:

Eeyore is just one of those characters that you wanna scoop up and hug forever.

One awesome thing about Eeyore is that even though he is basically clinically depressed, he still gets invited to participate in adventures and shenanigans with all of his friends. And they never expect him to pretend to feel happy, they just love him anyway, and they never leave him behind or ask him to change.

Oh

oh

And he does feel happy, though. He can be happy. He just doesn’t show it as much as the others do.There was a whole episode about that - Piglet sees him sitting on a hilltop and thinks he’s sadder than usual, and does all he can to cheer him up. Nothing works and the next day he’s back on the hill, and Piglet apologizes because he thinks in trying to help, he just made him sad again and ”I don’t come here when I’m sad. I come up here because I’m happy.”
There’s just something about that…
reikaoki:

imthezombiequeen:

alishalovescats1701:

crimsonclad:

five-boys-with-accents:

Eeyore is just one of those characters that you wanna scoop up and hug forever.

One awesome thing about Eeyore is that even though he is basically clinically depressed, he still gets invited to participate in adventures and shenanigans with all of his friends. And they never expect him to pretend to feel happy, they just love him anyway, and they never leave him behind or ask him to change.

Oh

oh

And he does feel happy, though. He can be happy. He just doesn’t show it as much as the others do.There was a whole episode about that - Piglet sees him sitting on a hilltop and thinks he’s sadder than usual, and does all he can to cheer him up. Nothing works and the next day he’s back on the hill, and Piglet apologizes because he thinks in trying to help, he just made him sad again and ”I don’t come here when I’m sad. I come up here because I’m happy.”
There’s just something about that…
reikaoki:

imthezombiequeen:

alishalovescats1701:

crimsonclad:

five-boys-with-accents:

Eeyore is just one of those characters that you wanna scoop up and hug forever.

One awesome thing about Eeyore is that even though he is basically clinically depressed, he still gets invited to participate in adventures and shenanigans with all of his friends. And they never expect him to pretend to feel happy, they just love him anyway, and they never leave him behind or ask him to change.

Oh

oh

And he does feel happy, though. He can be happy. He just doesn’t show it as much as the others do.There was a whole episode about that - Piglet sees him sitting on a hilltop and thinks he’s sadder than usual, and does all he can to cheer him up. Nothing works and the next day he’s back on the hill, and Piglet apologizes because he thinks in trying to help, he just made him sad again and ”I don’t come here when I’m sad. I come up here because I’m happy.”
There’s just something about that…